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Throughout the1970’s, the color of the magnet cover was changed (beige, black, etc.), but the basic ingredients, other than a few variances in the cone, largely remained the same, until the late ‘70s, circa ’78-’79, when new materials in the cone diaphragm were explored.

The tone of the G12M is the foundation for much of the greatest rock and blues music ever recorded. And what does one sound like "in real life" away from the world of recording studios that can alter, shape and compress the sound through the mixing board, e.q., and other processors?

Guitarists can obsess about a number of modifications that they need to do to their amps or guitars (I’m certainly guilty here!And THAT basic tone character is what this article will describe from each of the various speakers.What we are interested in is comparing and contrasting the following Celestion speakers used in Marshalls at various times: G12M 25, G12H 30, G12-65, G12T-75, and the Vintage 30.), all while their old 4 x 12 cabinet sits around waiting. " and you may well hear a reply of, "Oh just whatever Celestions I think." Those that are more educated may be able to tell you which particular Celestion speaker model is in their cabinet, but may not fully understand the crucial significance of tone that one model can have over another.Many of our reader questions become the basis of new articles written and this is certainly an example of one of those.

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